The
following are records of space * in Ernakulam town region that has
transformed too much over the last few decades. This transformation is also an
embodiment of the relations that we weave with spaces around. The life we live
and the systems we give sanction to produce such spaces.
*One could always find better snaps for
the older shots
The
first one is a screen shot from the movie Anubhavangal
Paalichakal that came out in 1971. The space shown here is the marine drive
zone of Ernakulam; the lake can be seen as right next to a much narrower road.
The
second is also a screen shot, this time from the movie Rajavinte Makan that came out in 1986. By now the roads have become
wider and hectares of lake have been filled up. We see the slanted high rise,
which was amongst the first in the big rows that soon followed (which once
rivaled the only tall structures of Sea Lord hotel or LIC on the other side).
The
Third is a view from the lake towards the present closely positioned row of
buildings that came up on the filled up lake. They totally block the view of
the lake as well as the winds from the lake towards the land. After all, by
now, the wind and the view cannot be a casual privilege for ordinary travelers. They either have to be entitled in some way to one of the high rises (the ‘lake
view’ or ‘sea view’ crowd) or else they have to find the’ leisure’ time to
stroll on the compromise space spared as ‘promenade’ that is sandwiched between
the buildings and the lake.
The
Fourth set of pictures (the latter two, taken by Vinay Padre a couple of days back) is representative of
the fate of whatever spaces remain ‘open’/ public. Tiling is an institutional
cult in the state. It is a war on earth and life. It respects no recycling of
water or the life on earth (with its millions of forms). The authorities are
covering up huge swaths of land.

(Another
space in the Rajendra Maidan that
faces the lake has now become a permanent laser show structure and half of the
grassy park is now tiled in). There is an old photo and a later one that can be
googled, there is the screen shot from the movie In Harihar Nagar (1990) and a current photo with the laser
structure/ tiling.
These
are gestures that go under the tag of cleaning. Cleanings as could be gathered
from instances are about acts of distancing the human and non human. So leaves
and earth and trees are problems or threats, but the production of plastic,
pollution, consumption, and vehicles are fine.
There
is absolutely nothing on offer in terms of health of life forms. The ground
temperatures will swell due to the excess of concrete, and the blockade of
water from seeping into grounds will alter the equilibrium with saline water, in
lake side regions. So apart from the fact that civil works offer a good option
for institutionalized corruption, there is no rationale in the ways spaces get
appropriated and sealed away from life. Nothing
justifies such anti-social gestures, especially in contemporary times, when
people have gotten more than exposed to urban disasters, flooding, and heat
effects…






